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Audiovisual narratives of the Sami people at the beginnings of the Eurovision Song Contest (1960–1980)

Held annually since 1956 and attracting the continuing participation of most European countries, the Eurovision Song Contest (ESC) is usually defined as the audiovisual counterpart to the contemporary history of the continent. Regarding this issue, the narratives incorporated into the performances b...

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Autor principal: José Luis Panea
Format: Artigo
Idioma:Inglês
Publicat: Taylor & Francis Group 2025-12-01
Col·lecció:Cogent Arts & Humanities
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Accés en línia:https://www.tandfonline.com/doi/10.1080/23311983.2025.2464370
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