Deconstructing the Politics of Linguistic Mutation in Tom Stoppard’s Dogg’s Hamlet, Cahoot’s Macbeth
Tom Stoppard’s theatrical works, Dogg’s Hamlet, Cahoot’s Macbeth, serve as a significant exemplification of linguistic and political power dynamics. These plays represent a transformative shift that depicts the workings of hegemony in Czechoslovakia during the Cold War era. Stoppard, a Czechoslovaki...
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| Format: | Artigo |
| Język: | Inglês |
| Wydane: |
Atatürk University
2024-09-01
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| Seria: | Theatre Academy |
| Hasła przedmiotowe: | |
| Dostęp online: | https://dergipark.org.tr/tr/download/article-file/3951438 |
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