Phenomenological Reading of the Colors of a Persian Painting from the book of Samak Ayyar of Al-Injou’s Period by Relying on the Theories of Najmuddin Kubra
Introduction Persian painting is one of the critical contexts for the emergence and design of Persian and Islamic wisdom, which has a long life in the history of illustration of this land. The main issue of this research is to reflect on the use of Persian painting from philosophical principles af...
Gardado en:
| Autor Principal: | |
|---|---|
| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado: |
Shahid Bahonar University of Kerman
2022-06-01
|
| Series: | مجله مطالعات ایرانی |
| Assuntos: | |
| Acceso en liña: | https://jis.uk.ac.ir/article_3379_74a0662ffb09a8c2348fb2c0a9e36c43.pdf |
| Tags: |
Sen Etiquetas, Sexa o primeiro en etiquetar este rexistro!
|