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From Narration to Monstration: Representing Trauma in Ivan Martinac’s “House on the Sand”

Ivan Martinac’s only feature film House on the Sand (Kuća na pijesku, 1985) is an avant-garde exploration of trauma within Yugoslav cinema, distinguished by its minimalist narrative and experimental techniques. Through parametric narration, the work deviates from traditional storytelling, embracing...

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Hlavní autor: Višnja Pentić
Médium: Artigo
Jazyk:Inglês
Vydáno: Institute of Art of the Polish Academy of Sciences 2025-04-01
Edice:Kwartalnik Filmowy
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On-line přístup:https://czasopisma.ispan.pl/index.php/kf/article/view/3997
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