Alessandro Blasetti’s Producer’s and Critic’s Game. Repositioning from the Fascist Regime to the Post-war Period
Alessandro Blasetti’s career reaches a turning point in 1942: at the end of the year Quattro passi fra le nuvole is released. The film is retrospectively considered a forerunner of Neorealism. Since then, Blasetti focuses on realistic dramas in humble settings e.g., Nessuno torna indietro (1944), up...
Furkejuvvon:
| Váldodahkki: | |
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| Materiálatiipa: | Artigo |
| Giella: | Inglês |
| Almmustuhtton: |
University of Bologna
2023-07-01
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| Ráidu: | Cinergie |
| Fáttát: | |
| Liŋkkat: | https://cinergie.unibo.it/article/view/16407 |
| Fáddágilkorat: |
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