“It is my world, to which you are invited…”. Composers’ self-reflection in the programme books of the Warsaw Autumn (1999–2016)
Although we usually treat writing and speaking about music as a secondary activity in relation to creation and performance, discourse about the latest compositional output is now gaining considerable independence. The need for creative artists to work together with institutions and with a whole netw...
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| Format: | Artigo |
| Idioma: | Inglês |
| Publicat: |
Sciendo
2017-12-01
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| Col·lecció: | Musicology Today |
| Matèries: | |
| Accés en línia: | https://doi.org/10.1515/muso-2017-0003 |
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