Aller jamais retour
Like the other female directors of her generation, Ulrike Ottinger remains sorely neglected in comparison to the commercial and critical praise surrounding the big male names of New german cinema. But unlike them, she was also ill-regarded within feminist circles as her films were described as aesth...
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| Format: | Artigo |
| Sprache: | Alemão |
| Veröffentlicht: |
Presses Universitaires de Provence
2025-03-01
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| Schriftenreihe: | Cahiers d’Études Germaniques |
| Schlagworte: | |
| Online-Zugang: | https://journals.openedition.org/ceg/22131 |
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