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L’immagine-tempo da Warburg a Benjamin e Adorno

Starting from Warburg, the distinguishing mark of an image, considered as identity-difference of visible and invisible, is its offering itself as an implementation of a temporality, and at the same time of a memory that is immanent in the sensible structure of the image. It’s what we find both in Be...

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書誌詳細
第一著者: Giuseppe Di Giacomo
フォーマット: Artigo
言語:Inglês
出版事項: Mimesis Edizioni 2012-05-01
シリーズ:Aisthesis
主題:
オンライン・アクセス:https://oajournals.fupress.net/index.php/aisthesis/article/view/552
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