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‘I was simply obeying the law of the body’: Dispossession and Exposure of the Vulnerable Body in Harold Pinter’s A Kind of Alaska

Harold Pinter’s one-act play A Kind of Alaska (1982) stages Deborah, a woman who wakes up after twenty-nine years of coma, along with her doctor and sister. Her presence on stage in her hospital bed inevitably raises the question of the perception of the diseased body: her body is exposed, made audi...

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Autore principale: Adeline Arniac
Natura: Artigo
Lingua:Inglês
Pubblicazione: Presses Universitaires de la Méditerranée 2017-10-01
Serie:Études Britanniques Contemporaines
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Accesso online:https://journals.openedition.org/ebc/3762
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