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Metaphysics of the sequence shot: the gathering and nihilating of being in Béla Tarr’s The Turin Horse

ABSTRACTThis article examines the philosophical implications of Béla Tarr’s The Turin Horse (2011) by attending to the thematic and aesthetic configuration of its sequence shots. The film’s durational images, I suggest, perform a gathering and nihilating of presence whereby the existence of the subj...

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書誌詳細
第一著者: Isabel Rocamora
フォーマット: Artigo
言語:Inglês
出版事項: Taylor & Francis Group 2023-12-01
シリーズ:Journal of Aesthetics & Culture
主題:
オンライン・アクセス:https://www.tandfonline.com/doi/10.1080/20004214.2023.2271097
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