Regarding the Image of the Pain of Others: Caravaggio, Sontag, Leogrande
Why were Caravaggio’s <i>Sleeping Cupid</i> (1608) and <i>The Seven Works of Mercy</i> (1607) requested for display at a number of humanitarian public events? And why did Caravaggio’s work inspire a series of photographic and journalistic reportages on contemporary migratory phenomena? This article...
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| 第一著者: | |
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| フォーマット: | Artigo |
| 言語: | Inglês |
| 出版事項: |
MDPI AG
2022-03-01
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| シリーズ: | Humanities |
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| オンライン･アクセス: | https://www.mdpi.com/2076-0787/11/2/44 |
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