La Vie d’Adèle : un roman d’apprentissage mélodramatique
This article demonstrates with which cinematographic processes, the film Blue is The Warmest Color shapes an aesthetic of excess that depicts emotions on the characters’ bodies but also on the spectators’bodies. Director Abdellatif Kechiche articulates several cinema genres that share a strong emoti...
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| Formatua: | Artigo |
| Hizkuntza: | Inglês |
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Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2016-04-01
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| Saila: | Mise au Point |
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| Sarrera elektronikoa: | https://journals.openedition.org/map/2106 |
| Etiketak: |
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