« Entre los dos crepúsculos del día » : Lo olvidamos todo (1967) de Fanny Rabel
This paper studies some of the varied iconographic references that the Polish-Mexican artist Fanny Rabel (1922-2008) combined in her work Lo olvidamos todo (1967), in order to express very significant aspects of some of the parallels that exist between individual and collective memory. Rabel’s chara...
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| Main Author: | |
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| Format: | Artigo |
| Language: | Espanhol |
| Published: |
Université Rennes 2
2018-01-01
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| Series: | Amerika |
| Subjects: | |
| Online Access: | https://journals.openedition.org/amerika/8321 |
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