Une fiction objective : John Rewald et l’invention de la fin de l’impressionnisme
Looking at the invention of the “end” of Impressionism raises the question of the writing of history and its fictional base. John Rewald’s History of Impressionism (1946) is especially representative of this paradox of historical discourse because it is conceived in the form of a narrative and borro...
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| Formato: | Artigo |
| Idioma: | Francês |
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Institut national d'histoire de l'art
2022-10-01
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| Series: | Perspective |
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| Acceso en liña: | https://journals.openedition.org/perspective/28024 |
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