Ridisegnare paesaggi. Ridefinizione dello sguardo etnografico e "aesthetic of slow" nel cinema di Michelangelo Frammartino
The cinematic image itself could serve as a medium that can represent a conceptualization of time thanks to its formal elements, which temporalize space and spatialize time, rendering duration and the experience of passing time. Taking into account Frammartino’s cinema “Il dono” (2003), “Le quattro...
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| Formato: | Artigo |
| Idioma: | Italiano |
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Università degli Studi di Milano
2019-01-01
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| Series: | Schermi |
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| Acceso en liña: | https://riviste.unimi.it/index.php/schermi/article/view/10343 |
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