‘[Laughter] was something that drew people together. It was something shared’. (‘The Paradox of Satire [I]’): from laughing along to mislaughing oneself away and coming out in Jonathan Coe’s fiction
While laughter may still ‘draw people together’ and create intimacy and connections of sorts in Coe’s fiction, narrative irony, for instance, is a first tool for Coe to isolate the character and break not only the novelistic illusion, but also the laughing community itself. Besides, what happens whe...
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| Formato: | Artigo |
| Idioma: | Inglês |
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Presses Universitaires de la Méditerranée
2016-12-01
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| Series: | Études Britanniques Contemporaines |
| Assuntos: | |
| Acceso en liña: | https://journals.openedition.org/ebc/3360 |
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