Le populaire et le singulier. La singularité de l’acte créateur face au rôle social du théâtre (1945-1980)
This article analyzes the process of artistic singularization that characterized French public theatre between the post-war period and the beginning of the 1980s. The logic of singularity, supposed to prevail in art worlds, and characterized by a recognition based on the originality of the art works...
Guardado en:
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| Formato: | Artigo |
| Lenguaje: | Francês |
| Publicado: |
ENS Éditions
2018-06-01
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| Colección: | Tracés |
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| Acceso en línea: | https://journals.openedition.org/traces/7328 |
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