Glam “Heroines”. Gaps in Glam Historicisation from Black Self-Feminised Musicians to the Herstory of Glam Rock
The narration of glam music, especially glam rock, as queer is countered by a canonisation of male white icons in pop musicology, which is illuminated and expanded in this article. Early glam performances by self-feminised Black musicians (Ward 1998) as well as the music making of female agents of g...
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| フォーマット: | Artigo |
| 言語: | Polonês |
| 出版事項: |
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
2021-06-01
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| シリーズ: | Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura |
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| オンライン･アクセス: | https://studiadecultura.up.krakow.pl/article/view/8872 |
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