‘Is that not Titian?’ Echoes of Venice in George Frederic Watts’s Self-Portraits, between Self-Fashioning and Artistic Practice
The reception of Venetian Renaissance painters had a profound effect on the creation of a British tradition of painting and played an important role in the development of the portrait as a typically British genre. This is precisely what this article aims to explore, through the emblematic case of th...
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| Formatua: | Artigo |
| Hizkuntza: | Inglês |
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Université de Bourgogne
2024-06-01
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| Saila: | Interfaces |
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| Sarrera elektronikoa: | https://journals.openedition.org/interfaces/8743 |
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