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La musique des sphères dans l’Angleterre prémoderne : permanence et questionnement d’un héritage théorique

This paper studies the erosion of the theory of speculative music as an epistemological frame in early modern England, focusing specifically on a selection of treatises of music theory ranging from the late 16th century to the end of the 17th century, in particular Robert Fludd’s Utriusque Cosmi, 16...

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Bibliográfalaš dieđut
Váldodahkki: Claire Bardelmann
Materiálatiipa: Artigo
Giella:Inglês
Almmustuhtton: Institut du Monde Anglophone 2023-09-01
Ráidu:Etudes Epistémè
Fáttát:
Liŋkkat:https://journals.openedition.org/episteme/16345
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