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Have I None—‘I’d Kill You Both Before I Let Anyone Hurt You’—The Ethics of Loss and Dispossession in Contemporary British Dystopian Theatre

This article analyses two recent plays with dystopian setting, Edward Bond’s Have I None (2000) and Philip Ridley’s Mercury Fur (2005), with the aim of discovering how contemporary British dystopian theatre deals with the issue of loss from an ethical perspective. In imputing to loss a creative qual...

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Autor principal: Xuandung June Pham
Formato: Artigo
Idioma:Inglês
Publicado em: Presses Universitaires de la Méditerranée 2017-10-01
coleção:Études Britanniques Contemporaines
Assuntos:
active agents
Dominick LaCapra
dystopian theatre
Edward Bond
empathic unsettlement
loss and dispossession
Acesso em linha:https://journals.openedition.org/ebc/3902
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