0303 The Crystal Palace as the Parliament of Objects
In a sequence dedicated to the London World’s Fair in his collage film The Power of Emotion (1983), Alexander Kluge talks about how the suppression of prudent proletarian emotion by the aesthetic staging and emotionalisation of exchange value corrupted the departure of industrial modernity into happ...
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| Médium: | Artigo |
| Jazyk: | Alemão |
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International Association of Research Institutes in the History of Art (RIHA)
2024-06-01
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| Edice: | RIHA Journal |
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| On-line přístup: | https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/91537 |
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