La carte postale, multiple documentaire du chef-d’œuvre
From the late nineteenth century to the 1970s, to the “era of technical reproducibility” of works of art, in Europe as in the United States, postcard reproductions constituted mass imagery and a cultural industry, by helping to produce “multiples” of original works. Of course, the postcard is in man...
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| Hlavní autor: | |
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| Médium: | Artigo |
| Jazyk: | Francês |
| Vydáno: |
Institut national d'histoire de l'art
2019-12-01
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| Edice: | Perspective |
| Témata: | |
| On-line přístup: | https://journals.openedition.org/perspective/15875 |
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