Du Conservatoire national des arts et métiers à la mission ethnographique Ogooué-Congo, et retour
Our focus here is the Conservatoire national des arts et métiers [CNAM] and André Didier, who was officially the ‘sound engineer’ during the Ogooué-Congo ethnographic expedition. We argue that his presence made the mission a success due to the collecting of material for ethnographic film-making and...
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| 主要な著者: | , , |
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| フォーマット: | Artigo |
| 言語: | Inglês |
| 出版事項: |
Éditions de la Sorbonne
2021-11-01
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| シリーズ: | Revue d’Histoire des Sciences Humaines |
| 主題: | |
| オンライン･アクセス: | http://journals.openedition.org/rhsh/6384 |
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