From Kitsch and Carnivalesque to Cultural Appropriations: Liminal Representations of Post-Apartheid White Identity in Die Antwoord’s Music Videos
Through their multi-dimensional artistic performances—manifesting in music, lyrics and videos—the South African rap-rave hip-hop duo Die Antwoord expresses the ethos of “Zef,” a white working-class Afrikaner post-apartheid culture. Zef is associated with a specific style of vulgar aesthetics, langua...
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| Materyal Türü: | Artigo |
| Dil: | Inglês |
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Lodz University Press
2024-11-01
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| Seri Bilgileri: | Text Matters |
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| Online Erişim: | https://czasopisma.uni.lodz.pl/textmatters/article/view/24212 |
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