Efekty i atmosfery jako równoprawne środki budowania narracji filmowej w kinie głównego nurtu
In the existing literature on the subject, there is a prevailing belief that an increasing number of films are emerging in which the boundary between the soundtrack and the musical score is becoming increasingly blurred (L. Greene & D. Kulezic-Wilson, 2016; J. Napieralska, 2012). Advances in sound r...
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| Materyal Türü: | Artigo |
| Dil: | Inglês |
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Wydawnictwo Uniwersytetu Wrocławskiego
2025-05-01
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| Seri Bilgileri: | Studia Filmoznawcze |
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| Online Erişim: | https://wuwr.pl/sf/article/view/18103 |
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