Suspended Between Gazes: Metatextuality in Alejandro Amenábar’s Thriller Trilogy (1996–2001)
This article argues that Alejandro Amenábar’s first three features—<i>Tesis</i> (1996), <i>Abre los ojos</i> (1997), and <i>The Others</i> (2001)—constitute a systematic investigation of cinema’s fundamental operations through thriller form. These films employ different thriller subgenres to explore...
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| Format: | Artigo |
| Idioma: | Inglês |
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MDPI AG
2026-06-01
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| Col·lecció: | Humanities |
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| Accés en línia: | https://www.mdpi.com/2076-0787/15/6/77 |
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