The Desert Strikes Back: Sound Colonisation and Desert Agency in Óliver Laxe’s “Sirāt”
This article analyses Sirāt (2025), Óliver Laxe’s hybrid Sufi road film set in the Moroccan desert, through the lens of soundscape theory and sound ecology, as well as posthuman theoretical frameworks. Focusing on the film’s immersive sound design, it examines how amplified trance-rave music functi...
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| Médium: | Artigo |
| Jazyk: | Inglês |
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Institute of Art of the Polish Academy of Sciences
2026-04-01
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| Edice: | Kwartalnik Filmowy |
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| On-line přístup: | https://czasopisma.ispan.pl/index.php/kf/article/view/4739 |
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