Two Ambiguities in Object-Oriented Aesthetic Interpretation
The aesthetic theory of Graham Harman’s Object-Oriented Ontology (OOO) revolves around the concept of allure, a nonliteral experience of an object’s displacement from its qualities that draws attention to a deeper reality. But applying allure to aesthetic interpretation is hampered in two ways. Firs...
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| Formato: | Artigo |
| Idioma: | Inglês |
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De Gruyter
2020-10-01
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| coleção: | Open Philosophy |
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| Acesso em linha: | https://doi.org/10.1515/opphil-2020-0139 |
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