The ivory damsel is bored: changing female dynamics for the Ovidian Galatea in Michelangelo Antonioni’s "Identificazione di una Donna" (1982)
The Pygmalion myth as told by Ovid gave rise to a literary tradition that cinema sought to eternalize in films such as Pygmalion et Galathée (Méliès, 1898), Funny Face (Donen, 1957), etc. In these, normally the female is submissive to the male. The same premise may also be indirectly found in Anton...
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| Format: | Artigo |
| Idioma: | Alemão |
| Publicat: |
Universidade da Madeira (UMa)
2024-11-01
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| Col·lecció: | Cinema & Território |
| Matèries: | |
| Accés en línia: | https://ct-journal.uma.pt/article/view/34875 |
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