Between the nachleben and the evidential paradigm: Carlo Ginzburg and the warburguian method in the history of art
This paper analyzes the historiographical contributions of Carlo Ginzburg in the discipline of art history and his theoretical and methodological relations with the work of the German historian Aby Warburg. From the analysis of the works in which Ginzburg studies the art of the Florentine Renaissanc...
保存先:
| 第一著者: | |
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| フォーマット: | Artigo |
| 言語: | Inglês |
| 出版事項: |
Universidad Nacional de Colombia, sede Medellín
2016-01-01
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| シリーズ: | Historia y Sociedad |
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| オンライン･アクセス: | http://www.revistas.unal.edu.co/index.php/hisysoc/article/view/52458/54403 |
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