Richir, Tarkowskij und die Zone der Affektivität

The object of investigation is a systematic comparison between Marc Richir’s phenomenology of affectivity and Andrei Tarkovsky’s conception of film as a living image of time, illustrated by the work “Stalker”. The idea of “archaic” or “elementary” affectivity serves as a tertium comparationis. Such...

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Bibliografski detalji

Glavni autor:	Philip Flock
Format:	Artigo
Jezik:	Alemão
Izdano:	Universidad Adolfo Ibáñez 2023-12-01
Serija:	Síntesis. Revista de Filosofía
Teme:	phenomenological aesthetics affectivity architectonics richir tarkovsky philosophy of cinema inmanence and transcendence humanization and humanity
Online pristup:	https://sintesis.uai.cl/index.php/intusfilosofia/article/view/430/391
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