Surimpressions naturelles et volontaires chez les surréalistes. Un regard multiple sur Paris
Photographic multiple exposure, a simple technical accident consisting in exposing several times the same sensitized material, was capitalized on by the photographic avant-garde in the 1920s and 1930s. Their aim was to reveal unusual or poetic aspects within urban landscape and convey its multiple s...
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| Formatua: | Artigo |
| Hizkuntza: | Inglês |
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Journal of Urban Research
2009-10-01
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| Saila: | Articulo: Journal of Urban Research |
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| Sarrera elektronikoa: | https://journals.openedition.org/articulo/1162 |
| Etiketak: |
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