Les prologues d’Iphigénie en Tauride, Hélène, Les Phéniciennes et Oreste : un adieu liminaire aux mythes ?
Euripides’ relation to mythology and its polyphony is being visibly questioned in the prologues of a group of plays dating from the end of his career: Iphigenia in Tauris, Helen, Phoenician Women and Orestes. In each, a female character sets out in a monologue the elements necessary for her own iden...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Artigo |
| Reo: | Francês |
| I whakaputaina: |
Presses universitaires du Midi
2019-12-01
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| Rangatū: | Pallas |
| Ngā marau: | |
| Urunga tuihono: | http://journals.openedition.org/pallas/16475 |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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