Decolonizing the Stage: Struggle, Rewriting, and Healing in the Theatre of Jean Métellus and Yves Sioui Durand
The paper analyses how Haitian and Quebec Indigenous theatre embodies resistance to (neo)colonial structures of domination. Through the study of Anacaona (1986) by Jean Métellus and La Conquête de Mexico (1991) by Yves Sioui Durand, the paper highlights how these works critique both past and present...
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| Formatua: | Artigo |
| Hizkuntza: | Alemão |
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Faculty of Modern Languages, University of Warsaw
2025-02-01
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| Saila: | Acta Philologica |
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| Sarrera elektronikoa: | http://acta.wn.uw.edu.pl/gicid/01.3001.0055.0014 |
| Etiketak: |
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