Varda’s Chiasmic Hand: Les Glaneurs et la Glaneuse (2000), Les plages d’Agnès (2008) and Merleau-Ponty’s intersubjective relation
This article argues that there is an alliance between Agnès Varda’s digital films, Les Glaneurs et la Glaneuse (2000) and Les plages d’Agnès (2008), and the chiasmic overlap as it occurs in Maurice Merleau-Ponty’s philosophy. This fusion, which I will show occurs through the camera and the intersubj...
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2017-05-01
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| coleção: | Mise au Point |
| Assuntos: | |
| Acesso em linha: | https://journals.openedition.org/map/2342 |
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