Cadrer sans yeux
Drawing from gesture theory, the article investigates the engagement of the body when creating the filmic frame. As a medium of illusionistic movement that is obtained — in every one of its past phases — through a corporeal act, the cinematic machine itself implies its own gesturality, one that in s...
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| Formatua: | Artigo |
| Hizkuntza: | Francês |
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Centre d´Histoire et Théorie des Arts
2022-12-01
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| Saila: | Images Re-Vues |
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| Sarrera elektronikoa: | https://journals.openedition.org/imagesrevues/12600 |
| Etiketak: |
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