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FISSURES FOR ENSEMBLE

The present work[1] accomplishes such a process that does not have a clear exposition, nor the linearity of the main conflict, not does the denouement have a clear conclusive character – so in this sense the musical discourse neglects the traditional dramaturgical principles. As when we talk about...

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Detalles Bibliográficos
Autor Principal: Áron TÖRÖK-GYURKÓ
Formato: Artigo
Idioma:Inglês
Publicado: Babeș-Bolyai University 2019-12-01
Series:Studia Universitatis Babeş-Bolyai. Musica
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Acceso en liña:http://193.231.18.162/index.php/subbmusica/article/view/2127
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