Authenticity of memory resists the word: city as a subject in Marguerite Duras’s works
This article analyses the «silence» as a part of audiovisual image in Hiroshima mon amour (film by Alain Resnais based on the script by Marguerite Duras). «Silence» is regarded as a communicative technic in its spatial, historical and rhetorical perspectives and dimensions.
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Materiálatiipa: | Artigo |
| Giella: | Inglês |
| Almmustuhtton: |
Peoples’ Friendship University of Russia (RUDN University)
2015-12-01
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| Ráidu: | Polylinguality and Transcultural Practices |
| Fáttát: | |
| Liŋkkat: | http://journals.rudn.ru/polylinguality/article/viewFile/2291/1764 |
| Fáddágilkorat: |
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