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Les « désirs d’être » du hip hop à Luanda

At the end of the 1970s, a multi-faceted artistic movement emerges from the Bronx, the ‘black hood’ in New York. With a couple of spray paint cans and a few old vinyls, hip hop says the pride of being from the ghetto, being a minority in a world where one did not choose one’s place. Meanwhile, Angol...

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Detalles Bibliográficos
Principais autores: Chloé Buire, Arnaud Simetière
Formato: Artigo
Idioma:Francês
Publicado: L’Harmattan 2010-11-01
Series:Géographie et Cultures
Assuntos:
Acceso en liña:https://journals.openedition.org/gc/1187
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