Making Possible the impossible: performative ideas and solutions in some Iannis Xenakis' percussion works
This paper presents reflections on two emblematic works by Iannis Xenakis: Rebonds (1987-1989) and Okho (1989). The perpetuation of the myth of the impossible as a poetic trait of this composer’s production is the main justification for the practices of simplification and self-indulgence of the perc...
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| Hlavní autoři: | , , |
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| Médium: | Artigo |
| Jazyk: | Inglês |
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Escola de Música da UFMG
2023-07-01
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| Edice: | Per Musi |
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| On-line přístup: | https://periodicos.ufmg.br/index.php/permusi/article/view/42072 |
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