The Usual Suspects or the potency of falsity
This essay seeks to contextualize Bryan Singer’s film The Usual Suspects within the general frame of generic references to noir and neo-noir traditions. Using these references to manipulate the spectator, the film works to redefine our approach to genre stereotypes and their political implications....
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| Auteur principal: | |
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| Format: | Artigo |
| Langue: | Inglês |
| Publié: |
Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2014-05-01
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| Collection: | Mise au Point |
| Sujets: | |
| Accès en ligne: | https://journals.openedition.org/map/1646 |
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