Remarks on the Iconographic Motif of the Birdman in Mesopotamian Glyptic Art of the Third Millennium BC
The iconographic motif of the birdman emerged in Mesopotamian glyptic art in the Early Dynastic period and disappeared at the end of the Akkadian period. Its meaning remains ambiguous, particularly due to the fact that the figure is represented in scenes of varying character and it cannot be identi...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Artigo |
| Reo: | Alemão |
| I whakaputaina: |
Institute of Mediterranean and Oriental Cultures of the Polish Academy of Sciences
2018-12-01
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| Rangatū: | Études et Travaux (Institute des Cultures Méditerranéennes et Orientales de l'Académie Polonaise des Sciences) |
| Ngā marau: | |
| Urunga tuihono: | https://apcz.umk.pl/ET/article/view/19635 |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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