Machinations intermédiales
Between 1927 and 1929, communist theatre producer Erwin Piscator staged Piscator-Bühnen, a play at the crossroads of theatre, photography and cinema, and used a “Marxist stage setting” to frame and reframe the written word in favour of a contextual image-saturated play. His focus is deliberately pol...
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| Format: | Artigo |
| Idioma: | Alemão |
| Publicat: |
Presses Universitaires de Provence
2020-11-01
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| Col·lecció: | Cahiers d’Études Germaniques |
| Matèries: | |
| Accés en línia: | https://journals.openedition.org/ceg/12481 |
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