L’improvisation comme pratique sociale. L’exemple des nâgasvarakkârar, hautboïstes sud-indiens

Within karnatic musical traditions, improvisation is recognised, discussed and partially theorised. Therefore, a musician-improvisator is duty bound to respond to a set of musical and cultural norms while being – or remaining – creative. He thus exposes himself, at different levels, to the critical...

Ausführliche Beschreibung

Bibliografische Detailangaben

1. Verfasser:	William Tallotte
Format:	Artigo
Sprache:	Francês
Veröffentlicht:	ENS Éditions 2010-04-01
Schriftenreihe:	Tracés
Schlagworte:	improvisation ethnomusicology south India situated action nâgasvaram oboe
Online-Zugang:	https://journals.openedition.org/traces/4568
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