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The Parody Mass and the Rethorical-Pedagogical Principle of Imitation

In the sixteenth century, composing a parody Mass was a means to pay tribute to an admired piece and master the composing techniques shown therein. The parody Mass is grounded on the principles of imitation and emulation, on which the whole Renaissance rhetoric is based. This article analyses the Mi...

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Detalles Bibliográficos
Autor Principal: Marisi Rossella
Formato: Artigo
Idioma:Inglês
Publicado: George Enescu University of Arts 2021-06-01
Series:Review of Artistic Education
Assuntos:
Acceso en liña:https://doi.org/10.2478/rae-2021-0002
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