“The Whole Ensemble”: Gwendolyn Bennett, Josephine Baker, and Interartistic Exchange in Black American Modernism
Since her debut in Paris in 1925 and meteoric rise to stardom, views of Josephine Baker have been dominated by the white artists and audiences who constructed her as an exotic “Other”. This article revisits the phenomenon of “La Bakaire” from the perspective of a Black female artist who witnessed he...
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| Natura: | Artigo |
| Lingua: | Inglês |
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MDPI AG
2022-06-01
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| Serie: | Humanities |
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| Accesso online: | https://www.mdpi.com/2076-0787/11/4/74 |
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