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« No ifs or buts. / I didn’t say if or but, I said no » : Le sujet et son désir contre le discours de la psychiatrie

Sarah Kane’s oeuvre enables us to see how the body, which was initially foregrounded in her work, gradually disappears. The body that was once abused, exposed, mistreated in Blasted, to the extent that it was unbearable in performance, is reduced to a voice, in 4.48 Psychosis, whose language defies...

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Autore principale: Nicolas Pierre Boileau
Natura: Artigo
Lingua:Inglês
Pubblicazione: Centre de Recherche "Texte et Critique de Texte" 2015-04-01
Serie:Sillages Critiques
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Accesso online:https://journals.openedition.org/sillagescritiques/3960
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