Nuevos espacios escénicos en el teatro uruguayo
As in the rest of the western world, the model of the “Italian theatre” has long prevailed on the Uruguayan stage. In this model, the curtain was included very early in the rhetorical language of the stage as a divider between the space of the drama, with its attributes, and the front of the house....
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| Format: | Artigo |
| Langue: | Francês |
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UGA Éditions/Université Grenoble Alpes
2015-03-01
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| Collection: | ILCEA |
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| Accès en ligne: | https://journals.openedition.org/ilcea/3194 |
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