Eroticism and Justice: Harold Pinter’s Screenplay of Ian McEwan’s "The Comfort of Strangers"
A careful analysis of Harold Pinter’s screenplays, notably those written in the 1980s and early 1990s, renders an illustration of how the artist’s cinematic projects supplemented, and often heightened, the focus of his dramatic output, his resolute exploration of the workings of power, love and dest...
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| Format: | Artigo |
| Idioma: | Inglês |
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Lodz University Press
2013-11-01
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| Col·lecció: | Text Matters |
| Accés en línia: | https://czasopisma.uni.lodz.pl/textmatters/article/view/6948 |
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